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Lyrics It's All Over Now Baby Blue Bob Dylan

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1965 vocal past Bob Dylan

"Information technology'southward All Over Now, Baby Blue"
Song by Bob Dylan
from the album Bringing It All Back Habitation
Released March 22, 1965 (1965-03-22)
Recorded January 15, 1965
Studio Columbia Recording, New York Urban center
Genre Folk stone, folk
Length four:12
Characterization Columbia
Songwriter(s) Bob Dylan
Producer(south) Tom Wilson
Audio sample
  • file
  • help

"It's All Over At present, Infant Bluish" is a vocal written and performed by Bob Dylan and featured on his Bringing It All Back Domicile album, released on March 22, 1965, by Columbia Records. The song was recorded on January 15, 1965, with Dylan'south acoustic guitar and harmonica and William E. Lee's bass guitar the simply instrumentation. The lyrics were heavily influenced by Symbolist poetry and bid good day to the titular "Baby Bluish". There has been much speculation virtually the real life identity of "Baby Blue", with possibilities including Joan Baez, David Blue, Paul Clayton, Dylan'south folk music audition, and even Dylan himself.

"It'southward All Over Now, Baby Blue" has been covered many times by a variety of artists, mosty notably by Them, Baez and the Byrds. Them's version, released in 1966 influenced garage bands during the mid-60s and Beck later sampled it for his 1996 single "Jack-Ass". The Byrds recorded the song twice in 1965 every bit a possible follow up single to "Mr. Tambourine Man" and "All I Really Want to Exercise", simply neither recording was released in that form. The Byrds did release a 1969 recording of the song on their Ballad of Piece of cake Rider album.

Bob Dylan's version [edit]

Composition and recording [edit]

Bob Dylan most likely wrote "It'southward All Over Now, Baby Blueish" in January 1965.[ane] The master have of the vocal was recorded on January 15, 1965, during the sessions for the Bringing It All Back Dwelling house album and was produced past Tom Wilson.[2] The rail was recorded on the same day Dylan recorded the other three songs on side ii of the album: "Mr. Tambourine Man", "Gates of Eden" and "It'south Alright Ma (I'one thousand Simply Haemorrhage)".[3] Dylan had been playing those other songs live for some time, assuasive them to evolve before recording of the anthology commenced.[2] For "It's All Over Now, Baby Blue", nonetheless, Dylan wanted to record the song before he became too familiar with information technology.[2] There were at least ii studio recordings prior to the one that was released on the album. Dylan recorded a solo acoustic version on January xiii, 1965 (first released in 2005 on The Bootleg Series Vol. vii: No Management Home) and a semi-electrical version on January 14.[2]

The version of the vocal on the album is sparsely arranged with Dylan accompanying himself on acoustic guitar and harmonica, with William E. Lee playing bass guitar.[two] Writer Clinton Heylin states that the song is some other of Dylan's "'become out in the real world' songs, similar "To Ramona", though less conciliatory – the tone is crueler and more than demanding."[4] Equally well equally being the final track on Bringing It All Dorsum Home, "It'south All Over Now, Baby Blue" was also the terminal vocal to exist recorded for the album.[2]

Bill Janovitz of AllMusic describes the music as beautiful, with folk guitar chord changes and a somber melody, while the chorus, with its line "and it'southward all over now, Baby Blue" has a heartbreaking quality to it.[5] Like other Dylan songs of the period, such every bit "Chimes of Freedom" and "Mr. Tambourine Human", the lyrics of "It's All Over Now, Babe Blue" bear the stiff influence of Symbolist poets such equally Arthur Rimbaud.[5] Lines such equally "take what y'all have gathered from coincidence" reflect the I Ching philosophy that coincidence represents more mere run a risk.[1] [6] The song was described past Q magazine equally, "The near toxic of strummed osculation-offs, with not a snowball's chance in hell of reconciliation." Dylan, later describing the vocal, said that "I had carried that song around in my head for a long time and I think that when I was writing it, I'd remembered a Factor Vincent song. It had always been one of my favorites, Baby Bluish... 'When first I met my baby/she said how practise you lot do/she looked into my eyes and said/my name is Babe Bluish.' It was one of the songs I used to sing back in high school. Of course, I was singing near a unlike Baby Bluish."[vii]

Identity of "Infant Blue" [edit]

Dylan's two previous albums, The Times They Are A-Changin' and Another Side of Bob Dylan both ended with a farewell song, "Restless Farewell" and "It Ain't Me, Babe" respectively.[8] "It's All Over Now, Baby Blue" concludes Bringing It All Back Abode in consistent fashion.[8] Much speculation has surrounded who or what the "Babe Blue" to whom Dylan is singing good day is. Although Dylan himself has remained mute on the subject, Dylan scholars believe that it is probably an amalgam of personalities within Dylan's social orbit. Ane person who has been regarded as the subject of the song is folk singer Joan Baez.[6] [viii] Dylan and Baez were nevertheless in a relationship and were planning to tour together, merely Dylan may have already been planning to go out the relationship.[8] Another possibility is a singer-songwriter named David Blueish.[1] A friend or acquaintance of Dylan's from his days in New York City'southward Greenwich Village, Blue is pictured on the cover of Dylan and the Band's The Basement Tapes album wearing a trench glaze.[five] Withal another possibility is Dylan's one-fourth dimension friend, folk vocalist Paul Clayton.[i] [2] Although Clayton had been Dylan's friend throughout 1964, and had accompanied Dylan on the road trip across the United States on which "Chimes of Liberty" and "Mr. Tambourine Man" were written, by 1965 he may take become more devoted to Dylan than Dylan was comfortable with, and Clayton's use of amphetamines may take made him difficult to exist around.[1] [2] Nonetheless, author Paul Williams, in his book Performing Artist: Book One 1960–1973, counters that "Dylan may have been thinking of a particular person as he wrote information technology, merely non necessarily", calculation that the song has such a natural, flowing construction to it, that it could "easily have finished writing itself earlier Dylan got around to thinking about who 'Babe Blue' was."[iv]

medium shot of a woman with long dark hair on left and man playing an acoustic guitar on the right

1963 photo of Joan Baez, left, who has sometimes been regarded as the subject of the vocal and besides covered it, with Bob Dylan, who wrote the song

Another interpretation of the vocal is that it is directed at Dylan's folk music audience.[9] The song was written at a time when he was moving away from the folk protest movement musically and, as such, can be seen as a adieu to his days as an acoustic guitar-playing protestation singer.[5] Dylan's choice of performing "Information technology's All Over At present, Baby Blue" as his last audio-visual vocal at the infamous Newport Folk Festival of 1965, after having had his electric set met with boos, is frequently used equally evidence to support this theory.[5] That particular functioning of the song is included in Murray Lerner'south motion-picture show The Other Side of the Mirror.[v]

Even so another interpretation is that Dylan is directing the goodbye to himself, particularly his acoustic performer cocky.[6] [8] [nine] [10] [eleven] The opening line "You must leave at present" can be a command, like to the line "Go abroad from my window" that opens "Information technology Own't Me, Baby".[10] But it can also exist an imperative, meaning just that it is necessary that you leave.[10] And the song is as much about new beginnings equally information technology is well-nigh endings.[1] The song not just notes the requirement that Babe Blue leave, but besides includes the hope that Baby Blue will move forward, in lines such every bit "Strike another match, go start anew".[1] If Dylan is singing the song to himself, so he himself would be the "vagabond who's rapping at your door / standing in the clothes that you lot in one case wore".[10] That is, the new, electrical, surrealist Dylan would be the vagabond, not all the same having removed the "wearing apparel" of the old protest vocalizer.

Alternatively, the vagabond and "stepping stones" referenced in the vocal have been interpreted as Dylan's folk audition whom he needs to leave backside.[half-dozen] [8] He would besides be telling himself to "Forget the dead you've left, they will not follow y'all."[11] Others to whom he may exist saying adieu in the vocal are any of the women he had known, the political left or to the illusions of his youth.[11]

Finally, of form, Bob Dylan's ain eyes were historic by Joan Baez in her memory song Diamonds & Rust equally "bluer than robins' eggs".

Legacy [edit]

In addition to actualization on the Bringing It All Dorsum Dwelling album, "It'southward All Over At present, Baby Blue" was also included on the compilation albums Bob Dylan's Greatest Hits Vol. 2 (1971), The Essential Bob Dylan (2000), Dylan (2007), and the United kingdom of great britain and northern ireland version of Bob Dylan's Greatest Hits (1967).[5] Dylan played the vocal for Donovan in his hotel room during his May 1965 tour of England in a scene shown in the 1967 D. A. Pennebaker documentary Dont Await Back.[5] [half-dozen] The first studio have of the song, recorded on January 13, 1965, was released in 2005 on The Bootleg Series Vol. vii: No Management Dwelling, the soundtrack to Martin Scorsese's documentary No Direction Home,[5] and again in 2015 on the vi-disc and 18-disc versions of The Homemade Series Vol. 12: The Cutting Edge 1965–1966.

Dylan'south May 1, 1965, live performance of the song in Liverpool, England is included in Alive 1962–1966: Rare Performances From The Copyright Collections (2018). A alive version from Dylan's famous May 17, 1966, concert in Manchester, England (popularly but mistakenly known equally the Majestic Albert Hall concert) was released in 1985 on Dylan's box prepare Biograph and later on included on The Bootleg Series Vol. four: Bob Dylan Alive 1966, The "Imperial Albert Hall" Concert.[12] A alive version from December 1975, recorded during the start Rolling Thunder Revue tour, is contained on The Bootleg Series Vol. five: Bob Dylan Live 1975, The Rolling Thunder Revue (2002)[13] and The Rolling Thunder Revue: The 1975 Live Recordings (2019), while a June 1981 performance appears on the Palatial Edition of The Bootleg Series Vol. 13: Problem No More 1979–1981 (2017).

In November 2016, all Dylan's recorded live performances of the song from 1966 were released in the boxed ready The 1966 Live Recordings, with the May 26, 1966, functioning released separately on the album The Real Royal Albert Hall 1966 Concert.

As of 2009, Dylan continued to perform the vocal in concert.[14]

In a 2005 readers' poll reported in Mojo, "It's All Over Now, Infant Blueish" was listed as the number x all-fourth dimension best Bob Dylan vocal, and a like poll of artists ranked the song number 7.[15] In 2002, Uncut listed information technology as the number 11 best best Bob Dylan song.[xvi]

Covers [edit]

Them'southward version [edit]

"It'due south All Over At present, Baby Bluish"
It'sAllOverNowBabyBlue-Them.jpg

1966 Dutch movie sleeve
Single by Them
from the album Them Again
B-side
  • "I'm Gonna Dress in Blackness" (Holland)
  • "Bad or Proficient" (Germany)
Released
  • Oct 1966 (1966-ten) (Holland)
  • Dec 1973 (Germany)
Recorded 1965
Studio Decca Studios, London
Genre Rock, folk stone
Length three:l
Label Decca
Songwriter(s) Bob Dylan
Producer(s) Tommy Scott
Audio sample
  • file
  • assistance

Man wearing a grey hat and grey jacket and glasses holding a microphone near his face.

Van Morrison covered "Information technology'south All Over Now, Babe Blue" both as a member of Them and equally a solo artist.

The Belfast band Them (featuring Van Morrison) recorded a embrace of "It's All Over At present, Baby Blue" that was first released on their album, Them Once more, in January 1966 in the Uk and Apr 1966 in the U.S.[17] [18] [19] The song was later on issued as a single (b/w "I'thousand Gonna Dress in Black") in the Netherlands during Oct 1966 simply failed to reach the Dutch Singles Nautical chart.[xx] It was later re-released in Germany in Dec 1973 with "Bad or Expert" on the B-side, following its appearance in the 1972 High german television movie, Dice Rocker (aka Rocker).[21] [22] The single became a hitting in Germany, first entering the charts in February 1974 and peaking at number 13, during a nautical chart stay of 14 weeks.[23]

Morrison recalled his first encounter with Dylan's music in an interview in 2000: "I think I heard [The Freewheelin' Bob Dylan] in a tape shop in Smith Street. And I just thought it was merely incredible that this guy's not singing about 'moon in June' and he's getting away with it... The subject affair wasn't popular songs, ya know, and I thought this kind of opens the whole affair upward."[24] Morrison'south record producer at the fourth dimension, Bert Berns, encouraged him to find models for his songs, and then he bought Dylan's Bringing Information technology All Back Abode anthology in March 1965.[25] One of the songs on the album held a unique fascination for Morrison and he soon started performing "It's All Over Now, Infant Bluish" in small clubs and pubs equally a solo artist (without Them).[25]

Producer Tommy Scott was conscious of the importance of Dylan's music on the current popular scene and was eager for Morrison to embrace "It's All Over Now, Infant Blue" during the 1965 sessions for Them's 2nd LP.[25] [26] Later a failed, preliminary attempt to record the track with session pianist Phil Coulter at Regent Sound studios in London, Scott reconsidered his approach to the song.[26] Scott recalled in interview that "The number wasn't going downward, Van wasn't certain. Then the guys said he didn't fancy information technology and thought it was cheap because I'd tried to go after the "Here Comes the Night" tempo."[26] The ring returned to the song during a afterward session at Decca's recording studios.[26] Scott decided to rearrange the vocal's musical bankroll, incorporating a distinctive recurring blues riff and piano work from Them'south keyboard player, Peter Bardens, resulting in a finished recording that the band were satisfied with.[26] The song featured ane of Morrison'southward most expressive vocals and included subtle changes to Dylan's lyrics; instead of singing "Forget the dead yous've left" Morrison alters the line to "Forget the debts you've left".[24] [26]

Greil Marcus stated in a 1969 Rolling Stone review that "Merely on Dylan's 'It's All Over At present, Baby Blueish' does Van truly shatter all the limits on his special powers...Each note stands out as a special creation – 'the centuries of emotion that go into a musician'south choice from 1 note to the next' is a phrase that describes the startling depth of this recording. Played very fast, Van's voice near fighting for control over the band, 'Baby Blue' emerges equally music that is both dramatic and terrifying."[27] In contempo years, author Clinton Heylin has noted that Them's 1966 recording of the song is "that genuine rarity, a Dylan cover to match the original."[28] After Van Morrison left the band in 1966, Them spinoff grouping, The Belfast Gypsies, recorded a embrace of the vocal on their 1967 album, Them Belfast Gypsies.[29] [30] [31]

Them's estimation of the vocal, with Morrison as vocalist, became influential during the years 1966 and 1967, with several garage stone bands, including The Chocolate Watchband and The West Coast Popular Art Experimental Band, recording versions of the song that were indebted to Them's encompass version.[32] Brook used a sample of Them's 1966 recording of "It's All Over At present, Baby Blue" as the ground for his unmarried "Jack-Donkey", which appeared on his 1996 album, Odelay (meet 1996 in music).[v] Insane Clown Posse later sampled Beck'south song as the basis for "Some other Love Song", which appeared on their 1999 album, The Amazing Jeckel Brothers.[33] Hole's cover of the song besides uses Them'south recording equally a blueprint.[5] Them'southward original 1966 version of the song has appeared in movies, such as the 1996 movie Basquiat, the 1972 German film Rocker by Klaus Lemke and the 2000 film Girl, Interrupted.[22] [34] [35] [36]

In 1993, Van Morrison included Them's cover of the song on his compilation anthology The Best of Van Morrison Book Two.[37] In improver to recording "It's All Over Now, Baby Blue" with Them, Morrison has covered the song oft in concert throughout his solo career, beginning in 1974, merely has never released a studio or alive recording of it as a solo artist.[38] In 1984, Morrison made a guest appearance at one of Bob Dylan'southward concerts in London and the two musicians performed a duet of "It's All Over At present, Baby Blueish".[39] Morrison and Dylan too sang a duet of "It's All Over At present, Babe Bluish" at the last concert of Dylan's 1984 bout on July 8, 1984, at Slane Castle, Ireland.[40]

In a 2009 Paste magazine readers, writers and editors poll of the 50 Best Bob Dylan Covers of All Fourth dimension, Them'southward version of "It's All Over Now, Babe Blue" was ranked at number 28.[41]

The Byrds' version [edit]

"Information technology'southward All Over Now, Baby Blue"
Song by the Byrds
from the album Carol of Easy Rider
A-side "Jesus Is Just Alright"
Released October 29, 1969 (1969-10-29)
Recorded July 22, 1969
Studio Columbia, Hollywood, California
Genre Folk stone, state stone
Length 4:53
Characterization Columbia
Songwriter(s) Bob Dylan
Producer(s) Terry Melcher

The Byrds' recording of "Information technology's All Over Now, Baby Blueish" first saw release on October 29, 1969, as part of the band's Ballad of Easy Rider album.[42] [43] The song also appeared on the B-side of the band'due south December 1969 single, "Jesus Is Only Alright", which reached number 97 on the Billboard Hot 100 chart.[43] [44] The Byrds had previously attempted to record the song on two separate occasions, some four years earlier, during studio sessions for their second album, Plough! Turn! Plow! [45]

The Byrds initially planned to release "It's All Over Now, Babe Blue" in 1965, equally a follow-upwardly to their previous hit Bob Dylan covers, "Mr. Tambourine Human" and "All I Really Desire to Practise".[46] The band's start endeavour at recording the vocal was on June 28, 1965: resulting in an irreverent, garage rock style have on the song.[42] [45] This version was deemed unsatisfactory and remained unreleased for 22 years, until its inclusion on the Never Before album in 1987.[47] The June 28, 1965, recording can besides be heard on the 1996 expanded reissue of Turn! Plough! Turn! as well equally on The Byrds and There Is a Season box sets.[45] [48] [49]

The band attempted a second recording of the vocal during Baronial 1965.[45] A programme director from KRLA, who was present at the recording sessions, was impressed enough to play an acetate disc of the track on air, plugging it as The Byrds' new unmarried.[46] However, The Byrds soon abased the idea of releasing "It's All Over At present, Babe Blueish" every bit their 3rd single and instead issued the vocal "Turn! Turn! Turn!".[47] [l] The Byrds' August 1965 version of "It's All Over At present, Infant Blueish" has never been released.[45]

Guitarist and band leader, Roger McGuinn, returned to the composition during a July 22, 1969, recording session for the band'south Carol of Easy Rider anthology.[51] McGuinn decided to slow downwardly the tempo and radically change the song'due south arrangement to manner a more somber and serious version than those recorded in 1965.[42] In tandem with the slower tempo, the band dragged the syllables of each give-and-take out to emphasize the earth-weariness of the song's lyric.[46] Ultimately, McGuinn was dissatisfied with the recording of the song included on Ballad of Easy Passenger, feeling that it tended to drag within the context of the album.[46] In add-on to appearing on Ballad of Easy Rider, the Byrds' 1969 recording of "Information technology'south All Over Now, Baby Bluish" can also be found on the compilation albums The Byrds Play Dylan and The Very Best of The Byrds.[52]

Other covers [edit]

Many other artists have covered the song. Joan Baez, who has sometimes been speculated to exist the subject of the song, covered it on her 1965 album Bye, Angelina.[53] It is one of four Dylan covers on that album, the others being the title track, "Mama, You lot Been on My Heed" (recorded equally "Daddy, You lot Been on My Mind"), and "A Hard Pelting'due south a-Gonna Autumn".[53] Baez sings "It's All Over Now, Baby Blue" in a falsetto voice, but retains the power of Dylan's version.[53] Baez has connected to perform the song at live concerts well into the modern era.[54]

George Harrison, who performed with Dylan in the Traveling Wilburys and as well co-wrote the song "I'd Have You Anytime" with Dylan in November 1968,[2] did not cover the song, but did reference the title in his 1987 unmarried, "When Nosotros Was Fab". I of the lyrics in the song reads "Just information technology'south all over now, baby blueish", which is a nod from Harrison to his friend Dylan.[55]

The song was a source of inspiration for Joyce Carol Oates' short story "Where Are You Going, Where Take You lot Been?", prompting her to dedicate the story to Dylan.[56]

References [edit]

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  44. ^ Hjort, C. (2008). So You lot Want To Be A Rock 'n' Curlicue Star: The Byrds 24-hour interval-By-Day (1965–1973). Jawbone Printing. p. 229. ISBN978-1-906002-15-two.
  45. ^ a b c d e Rogan, J. (1998). The Byrds: Timeless Flying Revisited (2nd ed.). Rogan Business firm. p. 619. ISBN0-9529540-1-X.
  46. ^ a b c d Rogan, J. (1998). The Byrds: Timeless Flying Revisited (2nd ed.). Rogan Business firm. p. 301. ISBN0-9529540-1-X.
  47. ^ a b Hyde, B. (1989). Never Before (1989 CD liner notes).
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  49. ^ Irwin, B. (2006). There Is a Season (2006 CD box set liner notes).
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  51. ^ Hjort, C. (2008). And then You Want To Exist A Rock 'n' Curlicue Star: The Byrds Solar day-By-Mean solar day (1965–1973). Jawbone Press. p. 216. ISBN978-one-906002-15-2.
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  53. ^ a b c "Good day, Angelina". AllMusic . Retrieved July 23, 2009.
  54. ^ "Joan Baez U.S. Fall Tour 2005 Report". www.joanbaez.com. Archived from the original on February 17, 2012. Retrieved July 24, 2009.
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  56. ^ Oates, J.C.; Showalter, Due east. (1994). "Introduction". Where Are You Going, Where Have You Been. Rutgers Academy Printing. p. 9. ISBN0-8135-2135-i.

External links [edit]

  • Lyrics: It'due south All Over Now, Baby Blue
  • Janovitz B., It's All over Now, Baby Blue (song entry) at AMG

hooperexpon1987.blogspot.com

Source: https://en.wikipedia.org/wiki/It%27s_All_Over_Now,_Baby_Blue

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